FR60 60 364 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 65 1013 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 70 1069 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 75 971 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 60 513 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 60 469 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 65 297 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 65 1609 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 65 655 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
FR60 60 513 2 1
Koto Traditional Japanese stringed musical instrument The koto is a Japanese plucked half-tube zither instrument, and the national instrument of Japan. It is derived from the Chinese zheng and se, and similar to the Mongolian yatga, the Korean gayageum and ajaeng, the Vietnamese đàn tranh, the Sundanese kacapi and the Kazakh jetigen. Koto are roughly 180 centimetres in length, and made from Paulownia wood. The most common type uses 13 strings strung over movable bridges used for tuning, different pieces possibly requiring different tuning. Seventeen-string koto are also common, and act as bass in ensembles. Koto strings are generally plucked using three fingerpicks, worn on the first three fingers of the right hand
MB40 105 1601 1 1
ﮩ٨ـﮩﮩ٨ـ♡ﮩ٨ـﮩﮩ٨ـ------------------ He's laughing with another girl And playing with another heart Placing high stakes making hearts ache He's loved in seven languages Diamond nights and ruby lights high in the sky Heaven help him when he falls Diamond life, lover boy We move in space with minimum waste and maximum joy City lights and business nights When you require streetcar desire for higher heights No place for beginners or sensitive hearts When sentiment is left to chance No place to be ending but somewhere to start No need to ask He's a smooth operator Smooth operator Smooth operator Smooth operator Coast to coast, LA to Chicago, western male Across the north and south, to Key Largo, love for sale Face to face, each classic case We shadow box and double cross Yet need the chase A license to love, insurance to hold Melts all your memories and change into gold His eyes are like angels but his heart is cold No need to ask He's a smooth operator Smooth operator Smooth operator Smooth operator Coast to coast, LA to Chicago, western male Across the north and south, to Key Largo, love for sale Smooth operator Smooth operator
MB40 104 253 2 1 1
🕹️🔦 Chica's Party World (Aka 1805 swiss snuff musicbox) 🕹️🔦 https://fivenightsatfreddys.fandom.com/wiki/Chica%27s_Party_World
FR60 120 2048 1 1
(᨟ ͜● ᨟) (Full Range and No Reds) (᨟ ͜● ᨟) [A,/4d/4A/4] z/4 [A,/4A/4] z [A/4a'/4] a/4 z5/4 a/4 c/4 z5/4 f'/4 z/ [e/4B/4b'/4] z/4 c''/4 f'/4 ^c''/4 z/4 e/4 z/4 d''/4 z/4 ^d''/4 ^g/4 z/4 e''/4 z5/4 [d/4f''/4a'/4] z5/4 [E/4a/4] E,/4 z5/4 [_b/4F,/4F/4f/4_B/4] z [g'/4=g/4G/4] z/4 [a/4a'/4] z/ [d'/4=d''/4] [^d/4^d'/4] z/4 ^D/4 b/4 [=d'/4G/4] =c''/4 z/ G/4 g/4 [g'/4a/4] z/4 G/4 z/4 g/4 D/4 z b/4 z/4 C/4 z/4 [b/4c/4] z3/4 c/4 z7/4 [G/4c'/4] z13/4 g/4 z9/4 g/4 z g/4 z9/4 [c''/4G/4G,/4] c'/4 G,/4 z [g'/4g/4G/4b/4] z G/4 z/4 [g'/4g/4] _b'/4 [d'/4d''/4G/4] z/4 [g'/4^d'/4] z/ [=d/4a'/4] z/4 b'/4 z/ =b'/4 z/4 c''/4 z/4 ^c''/4 z/ d''/4 z [g'/4^d''/4] z7/4 =D/4 g/4 z5/4 [^D/4^g/4] z/4 g/4 z [f/4f'/4] z/4 [g'/4=g/4G/4] z3/4 [=d''/4c'/4c/4] z/ [a/4a'/4] [d''/4b/4] z3/4 [F/4f/4] [g'/4g/4] f'/4 z/ [F/4f/4f'/4] z/4 [g/4F/4] z [b/4_B,/4] z7/ [b/4F,/4F/4f/4] z F/4 z3/4 F/4 z3/4 [f/4f'/4a'/4] z13/4 [a'/4f'/4C/4] z/4 b/4 z/4 [f/4f'/4] z/4 b/4 [e/4e'/4G,/4] z/ e'/4 z/ [=d'/4f/4] z3/4 [d'/4^f/4] z/ d'/4 z/4 d'/4 z/ f/4 z/4 f/4 z3/4 B,/4 z5/4 [=f/4^c'/4] z/ ^g/4 z/4 f/4 z/ e/4 C/4 f'/4 z/4 [=c'/4C/4] z/4 e/4 z [f'/4C/4] f/4 b/4 z3/4 E/4 b/4 ^c'/4 z3/4 e'/4 B,/4 z/4 [^f'/4a/4^C/4] z3/4 [e/4E/4^c/4a/4] [_b'/4g'/4] E/4 z/4 [e/4^d'/4G/4=c'/4c''/4] z3/4 [f'/4b/4d'/4=g/4e''/4] z b/4 z [e/4=c''/4] z3/4 [g'/4g/4^d''/4e'/4] z/4 ^c''/4 z/ [b'/4b/4g'/4] z5/4 [b'/4c''/4^c'/4] z/ b'/4 z3/4 [g''/4=c/4] z5/4 [f'/4^g''/4a/4c'/4] z5/4 ^f''/4 z [a/4=f'/4g''/4] z [f'/4=f''/4] z [a/4f'/4g''/4] z f''/4 z5/4 g/4 [b/4e'/4] z/4 e'/4 z/4 [e''/4c/4] z/ e'/4 z/ b/4 d'/4 z7/4 b/4 z/4 [^f''/4b/4g/4d'/4=C/4] z3/4 [f'/4C/4] =d'/4 C/4 z/4 ^f/4 [^f'/4d/4a'/4] z/ [f/4a/4=f'/4] z f/4 =d''/4 z3/4 [f/4c''/4] z [f/4a/4=f''/4] z f'/4 z5/4 [a/4=f/4] f'/4 z3/4 f/4 A/4 z [a/4f/4] z3/4 [=b'/4a/4] f''/4 z3/4 [e''/4a/4f/4c/4A/4] z5/4 [f/4f'/4] [=c''/4C/4] z/ f'/4 [=b/4b'/4] f''/4 z [_b/4f/4] z5/4 [^d/4a'/4a/4f''/4] z/ b/4 [f/4f''/4] z/ b/4 f/4 [g'/4c'/4] z3/ f''/4 z3/4 c/4 a/4 z/ [c''/4c/4] z c''/4 z/4 f/4 [b'/4a/4c/4] [_b'/4f/4] z3/4 b'/4 z3/4 [a/4f/4] z3/4 b'/4 a/4 z/4 [^d'/4F,/4a/4a'/4] z/4 c''/4 z/ g'/4 e'/4 f'/4 z/4 b'/4 z b/4 z/4 d''/4 z/4 e''/4 z/4 d''/4 b/4 [e''/4c/4] z/ f''/4 z/ a/4 z3/4 c/4 z/4 c/4 a/4 z5/4 a/4 z/ f'/4 [a/4F/4] f/4 z/4 F/4 =d'/4 z/4 [b/4=d/4f/4] z/ f'/4 d/4 z/4 [g'/4a/4] z3/4 a/4 z/4 f/4 z5/4 f/4 z F,/4 z3/4 [e'/4c''/4] F,/4 z3/ [d''/4b/4e'/4] z/4 c''/4 z/ f''/4 =c'/4 z3/4 [a/4f/4] z/ c/4 [=g''/4c'/4] z/ a/4 c'/4 z3/4 [F/4a/4f/4c'/4] c/4 z/ f/4 z/ [F/4f/4f'/4^g/4] z5/4 [b/4f/4f'/4] z/4 f'/4 z/4 [g'/4b/4] z7/4 [a/4f/4] z/4 f/4 z3/ [F/4a/4] [F,/4a'/4] b'/4 z/ =b'/4 z3/ [c''/4f/4] z/4 d''/4 z/4 f''/4 z3/4 e''/4 f/4 z/4 e''/4 z/4 [f/4f''/4] z3/4 a/4 z/4 ^g''/4 z [A/4f/4] z/4 e''/4 f/4 z/ d''/4 z3/4 c''/4 z/4 b'/4 z ^g'/4 z/4 =g'/4 z/4 ^f'/4 z/4 =f'/4 z/4 e'/4 z/4 ^d'/4 z [e/4b/4] z11/4 ^c'/4 e/4 d'/4 b/4 [=g/4G/4] e/4 z/4 =c'/4 z7/4 ^c'/4 d''/4 [C,/4c'/4] z/ e''/4 z/ g'/4 z/ [d''/4b/4] z [g'/4g/4] z3/4 g'/4 z/4 [=d'/4g'/4] [b/4d/4] d'/4 z/4 [g/4G/4^d'/4] f'/4 [g/4G/4] z3/ d'/4 z/4 f'/4 z7/4 [_b'/4b/4] z/4 b'/4 z3/4 c''/4 z5/4 b/4 z2 b/4 z3/4 b/4 z7/ [g'/4g/4] z ^f'/4 z/4 g'/4 z ^f/4 c/4 [G/4c''/4] z/ c''/4 z5/4 f'/4 z/ f'/4 z/ b'/4 z3/4 f'/4 b'/4 z/4 c'/4 z3/4 d'/4 z3/4 d'/4 z/4 f'/4 z/ [f/4a'/4] c''/4 z/4 ^c''/4 z/4 d''/4 z =d'/4 z/4 c''/4 z/4 f/4 z/ d''/4 z/ f/4 z/4 =D/4 a'/4 z3/4 a'/4 z/4 b'/4 =f/4 a'/4 z a/4 z/4 [f/4A/4] z/ A/4 z F/4 =b'/4 z/4 d''/4 z/4 e''/4 z/4 f''/4 z/4 =f'/4 z7/4 g'/4 f'/4 z3/ f/4 z/4 f'/4 z3/4 a/4 z/ f/4 z9/4 =b/4 z/4 d'/4 e'/4 z/4 f'/4 z5/4 [a/4a'/4] z3/4 a'/4 z/ f/4 _b'/4 z a/4 z/4 [b'/4f/4] A/4 z7/4 a'/4 z3/4 f/4 z7/4 _b/4 z5/4 ^g'/4 z/ b/4 z/4 e/4 z/ b/4 z3/4 =g'/4 z g'/4 [b/4e'/4] [g'/4=c''/4b'/4] z/4 [=g''/4=c'/4] z/ [b'/4c''/4] e''/4 z/4 c''/4 z/ e/4 [B/4c''/4] z/4 B/4 z/4 e''/4 z/ b'/4 z/4 e'/4 f/4 z/4 [b/4c'/4] e/4 z5/4 [b'/4e'/4C/4] z5/4 [^d'/4a'/4] z5/4 d'/4 z e''/4 z/ [b'/4c''/4] z/4 [e'/4f/4] z/4 b/4 z/4 e/4 z e'/4 [e/4b'/4] z3/4 b/4 z3 e''/4 z/4 c''/4 z/ e'/4 f/4 z3/4 c'/
MB40 110 1533 1 1
On the first part of the journey I was looking at all the life There were plants and birds and rocks and things There was sand and hills and rings The first thing I met was a fly with a buzz And the sky with no clouds The heat was hot, and the ground was dry But the air was full of sound I've been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ain't no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la After two days in the desert sun My skin began to turn red After three days in the desert fun I was looking at a river bed And the story it told of a river that flowed Made me sad to think it was dead You see I've been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ain't no one for to give you no pain La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la La, la, la, la, la, la After nine days, I let the horse run free 'Cause the desert had turned to sea There were plants and birds and rocks and things There was sand and hills and rings The ocean is a desert with it's life underground And a perfect disguise above Under the cities lies a heart made of ground But the humans will give no love You see I've been through the desert On a horse with no name It felt good to be out of the rain In the desert, you can remember your name 'Cause there ain't no one for to give you no pain
v.3.1.307 | Cookie policy | Terms of Service | Privacy Policy | Contact