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The Seed of Life is a two-dimensional illustration that consists of seven circles of the same size, which overlap. There are six circles on the outside, which interconnect with the seventh circle in the middle. The image looks like a set of equally proportioned flowers. The design is not only beautiful; it has profound symbolic meaning. Scared Geometry and the Seed of Life Rooted in the Seed of Lifeâs meaning is a school of thought referred to as Sacred Geometry. According to Sacred Geometry, patterns in nature are viewed from a mathematical viewpoint and they have broad implications. The âsacredâ part is a belief that these patterns, their mathematical formulas, and their structure are evidence of divine planning and creation. One example of Sacred Geometry is the Fibonacci Spiral, which I wrote about in my post about Snake Meanings and Symbolism. The Fibonacci Spiral is a pattern that repeats throughout nature and the greater Universe. From sunflowers to hurricanes, galaxies, seashells, and even coiled snakes, we can find spirals. Symbolically, a spiral represents the expansion outward from a single source, which grows or gains power. Many spirals found in nature follow the mathematical pattern of the Fibonacci number sequence, which starts with 0 and 1 and then increases with the sum of the previous two numbers, such as 0, 1, 1, 2, 3, 5, 8, 13, 21, and so on.
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The music is original but the song lyrics are a cover of the age old tune "cats in the cradle" Its in a "Country Rock style with Appalachian English Male Vocals" https://suno.com/song/fd127b19-20d6-4f22-9b26-c60ac10a2322
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Here's what I can tell you about "The Bird in the Bush": This is my own arrangement of a very very old song that in its time was censored! It's since been remade and recreated many times in many forms but the shapes remain the same no matter how we might layer them and this version is not excluded from that statement. That said here are the bullet points. Double Meaning: The song can have a double meaning. On the surface, it might be about a young woman meeting a man and wanting him to catch a bird for her. However, there's also a deeper, more suggestive meaning hidden within the lyrics. Variations: This song has many variations and titles, such as "Three Maidens A-Milking Did Go." The specific lyrics and melody can differ depending on the region and who sang it. Folk Tradition: Folk songs like this weren't typically written down but rather passed down orally from singer to singer. This can lead to variations over time. Unfortunately, due to the potentially bawdy nature of the lyrics, many versions you find online might be sanitized.
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đčđđŠđ©đđđ đđđ€đđč https://suno.com/song/727c0ab5-e0d4-4ce0-b75e-6a39da84518f (Verse 1) The boss is yellin', deadlines near Dick's in trouble, that much is clear Got emails floodin' in, phone ringin' off the hook Gotta save his bacon, gotta give him a good look (Chorus) All hands on Dick! Gotta fix his bureaucratic tick No time for coffee breaks, gotta rewrite these bureaucratic tricks The pressure's on, the paperwork's a mess, gotta make it slick All hands on Dick, gotta save his ship! (Verse 2) The printer's jammin', deadlines loom, Dick's about to lose his cool Gotta troubleshoot this mess, follow every single rule The team's exhausted, eyes are glazed and red But we can't give up now, gotta fight until we're... well, almost dead. (Chorus) All hands on Dick! Gotta fix his bureaucratic tick No time for coffee breaks, gotta rewrite these bureaucratic tricks The pressure's on, the paperwork's a mess, gotta make it slick All hands on Dick, gotta save his ship! (Bridge) They say all hands on deck, but Dick's got no boat in sight Just mountains of paperwork, day and endless night So raise a mug of coffee, a toast to our friend in need We'll conquer this paperwork, plant a victory seed (Chorus) All hands on Dick! Gotta fix his bureaucratic tick No time for coffee breaks, gotta rewrite these bureaucratic tricks The pressure's on, the paperwork's a mess, gotta make it slick All hands on Dick, gotta save his ship! (Outro) Yeah, all hands on Dick, that's the ticket to success We'll slay this dragon, put the office to the test! (Verse 1) The boss is yellin', deadlines near That Dick's in trouble Again, that much is clear Got emails floodin' in, phone ringin' off the hook Gotta save his bacon, gotta give him a good look (Chorus) All hands on Dick! Gotta fix his bureaucratic tick No time for coffee breaks, gotta rewrite these bureaucratic tricks The pressure's on, the paperwork's a mess, gotta make it slick All hands on Dick, gotta save his ship! (Verse 2) The printer's jammin', deadlines loom, Dick's about to lose his cool Gotta troubleshoot this mess, follow every single rule The team's exhausted, eyes are glazed and red But we can't give up now, gotta fight until we're... well, almost dead. (Chorus) All hands on Dick! Gotta fix his bureaucratic tick No time for coffee breaks, gotta rewrite these bureaucratic tricks The pressure's on, the paperwork's a mess, gotta make it slick All hands on Dick, gotta save his ship! (Bridge) They say all hands on deck, but Dick's got no boat in sight Just mountains of paperwork, day and endless night So raise a mug of coffee, a toast to our friend in need We'll conquer this paperwork, plant a victory seed (Chorus) All hands on Dick! Gotta fix his bureaucratic tick No time for coffee breaks, gotta rewrite these bureaucratic tricks The pressure's on, the paperwork's a mess, gotta make it slick All hands on Dick, gotta save his ship! (Outro) Yeah, all hands on Dick, that's the ticket to success We'll slay this dragon, put the office to the test!
FR60 60 428
The Mary Maguire Music Box https://michaeleskin.com/transcriptions/Compositions_of_Turloch_OCarolan_Harp_10Jun2024.pdf
FR60 63 1538 1 1
L„rï¹§ [VĂȘr§ĂȘ] Ăñ â hĂȘ §hĂ„Ăðw§ wĂȘ ”ñïâ ĂȘ Vðï¹ĂȘ§ rï§ïñg ïñ â hĂȘ ñïghâ WĂȘ Ă„rĂȘ mÄñ„ hĂȘĂ„râ § Äñà mïñç §â rĂȘñgâ h ð£ ñ”mĂĂȘr§ wĂȘ wĂŻll £ïñà [VĂȘr§ĂȘ 2] Mħk§ 𣠹ð”rĂ„gĂȘ wĂȘ Ă„rĂȘ §â rðñg Ăñ â hĂȘ ĂĂ„rkñĂȘ§§ wĂȘ ĂĂȘlðñg §ïlĂȘñâ whĂŻÂ§ĂŸĂȘr wĂȘ Ă„rï§ĂȘ â r”â h ĂȘxĂŸĂ°Â§ĂȘĂ ĂĂȘhïñà â hĂȘ lĂŻĂȘ§ [Ăhðr”§] WĂȘ Ă„rĂȘ lĂȘgïðñ hĂȘĂ„r ð”r ¹Äll WĂȘ wĂŻll §â Äñà wĂȘ'll ñĂȘvĂȘr ÂŁĂ„ll Ăð ñðâ £ðrgĂȘâ Ăð ñðâ £ðrgĂŻvĂȘ ĂxĂŸĂȘÂąâ ”§ wĂȘ wĂŻll lĂŻvĂȘ [VĂȘr§ĂȘ 3] Ăñ â hĂȘ §hĂ„Ăðw§ wĂȘ rĂȘmÄïñ ĂrĂȘĂ„kïñg ÂąhÄïñ§ wĂȘ ÂŁĂȘĂ„r ñð ĂŸĂ„ĂŻĂ± Ăñï£ïĂȘĂ wĂȘ mĂ„rÂąh Ă„hĂȘÄà LĂȘĂ„vïñg â rĹĂȘ§ whĂȘrĂȘ wĂȘ â rĂȘÄà [VĂȘr§ĂȘ 4] â hrð”gh â hĂȘ §ïlĂȘñ¹ĂȘ wĂȘ ĂŸrð¹lÄïm J”§â ĂŻÂąĂȘ ĂȘÂąhðĂȘ§ ïñ ð”r ñÄmĂȘ GĂ„â hĂȘr ĂŸĂ°wĂȘr ÂŁrðm â hĂȘ ĂŸĂ„Â§â Ăñ ð”r ”ñïâ „ wĂȘ lħâ [Ăhðr”§] WĂȘ Ă„rĂȘ lĂȘgïðñ hĂȘĂ„r ð”r ¹Äll WĂȘ wĂŻll §â Äñà wĂȘ'll ñĂȘvĂȘr ÂŁĂ„ll Ăð ñðâ £ðrgĂȘâ Ăð ñðâ £ðrgĂŻvĂȘ ĂxĂŸĂȘÂąâ ”§ wĂȘ wĂŻll lĂŻvĂȘ
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this is a homunculus of sorts that merges 2 Undertale songs into 1 medley then layers it 4 times on 4 separate octaves at 2 separate time intervals resulting in the music box maniac production before you! Enjoy!
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this is just a medley mixing 2 undertale jams into one for a video im making, gonna use this as the bg music :)
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This composing technique is a "Ben Efits Troll Army" or B.E.T.A signature technique. The result is a far more complex piece of music based on its math and geometry, than it was originally composed to be, Today i took the original track tripled it, then added a z40 at the start of the middle track, a z2 at the start of the top track, and a matching z40 at start of the last and lowest track. Resulting in a mathematic upgrade that Pythagoras taught B.E.T.A how to do. You see, Ben see's sound as shape. As a result Pythagoras and Ben are alike in that way. They see the world of music as more "geometry" and "math" than "sound" persay. In this same way most of us Synesthesiacs in B.E.T.A do. That said! Today ive executed this techniqueof the "cult of pythagoras" as people like to say, on Gustav Mahler's Symphony 5 (Part 4) this piece of music is UNIQUE to this singular upload. Enjoy it, Musicboxmaniacs had it first. - đčđđŠđ©đđđ đđđ€đđč
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âStairway to Heavenâ features an instrument you played in second grade. In the opening section of the song, Zeppelin bassist John Paul Jones traded his four-string for a recorderâthat old standby of elementary school music classesâand played it with a medieval flourish. Guitarist Jimmy Page has called the passage a âpoor manâs" version of Bachâs "BourrĂ©e in E minor." and Some fans think âStairway to Heavenâ was inspired by The Lord of the Rings. Long before Peter Jacksonâs blockbuster movies, Zeppelin's band members were big fans of The Lord of the Rings. And J. R. R. Tolkienâs epic fantasy novel inspired several of their songs, including âRamble On,â âThe Battle of Evermore,â and âMisty Mountain Hop.â Many Tolkien buffs believe âStairwayâ also leads straight to Middle-earth. According to one theory, the lyrics echo the âThe Tale of Aragorn and Arwen,â a story of two lovers told in the appendix of The Lord of the Rings. Singer and lyricist Robert Plant has said he actually drew inspiration from Lewis Spenceâs Magic Arts in Celtic Britain, a book about occult beliefs. Even Robert Plant isnât 100 percent sure what âStairway to Heavenâ is about. Plant believes the power of the song lies in its âabstraction.â âDepending on what day it is, I still interpret the song a different wayâand I wrote the lyrics,â he said. What if the lyrics to âStairwayâ are so strange and convoluted because theyâre actually meant to be played backwards? That was the theory of televangelist Paul Crouch, who decided in 1982 that the verse beginning around 4:19 (âIf thereâs a bustle âŠ") offers a satanic message when played in reverse. This, according to Crouch, is the hidden message: âHereâs to my sweet Satan/The one whose little path would make me sad, whose power is Satan/He will give those with him 666/There was a little tool shed where he made us suffer, sad Satan.â In the book Hammer of the Gods, one of Zeppelinâs recording engineers offers this rebuttal: âWhy would they want to spend so much studio time doing something so dumb?â The solo in âStairway to Heavenâ was completely improvised. Pageâs soaring âStairway to Heavenâ solo showcase, which was ranked by Guitar World as the greatest solo of all time, features 50 seconds of face-melting glory. Turns out the legendary axman was flying by the seat of his bell-bottoms. âThe solo sounds constructedâand it is, sort of, but purely of the moment,â Page told Rolling Stone in 2008. âFor me, a solo is something where you just fly, but within the context of the song.â Page did three takesâall differentâand picked the best one. Jimmy Page played the solo on a âmagical guitar.â Zepâs lead guitarist was known to dabble in the occult, but the so-called âmagicalâ instrument he used for his âStairway to Heaven" solo wasnât infested with demons or blessed by witches or anything cool like that. It was simply a 1959 Fender Telecaster he got from fellow British shredder Jeff Beck. Page also used that Telecaster during his days with the Yardbirds and on sessions for the first Zeppelin album. âA bit of a magical guitar, really,â Page said. In 2014, the estate of Randy California, late guitarist for the American rock band Spirit, sued Led Zeppelin for copyright infringement. The suit alleged that Zeppelin stole the âStairwayâ riff from Spiritâs 1968 song âTaurus.â Zeppelin opened for Spirit on their first American tour, so itâs possible they heard âTaurusâ before penning âStairway.â But Page and company have denied any thievery, and in 2016, a jury ruled in their favor. In March 2020, the ninth Circuit Court of Appeals upheld the ruling. âStairway to Heavenâ was never released as a single. Led Zeppelin were not a Top 40 band. They hated the idea of reworking their songs for radio, and for years, they refused to even release singles in the UK. So itâs no surprise that âStairway to Heavenââan eight-minute epic you wouldnât dream of editingâwas strictly an album cut. That didnât stop radio from playing the hell out of it
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[Verse] Mystery man in shadows lurk Shiny shoes a glimmer of smirk In the night he fades away No one knows he's here today [Verse 2] Cloaked in mantle black as sin Vanishing before you begin A whisper gone like summer breeze Left you haunted on your knees [Chorus] Tuxedo mask in the dark Gone before you make your mark A phantom in the alleyway Here then gone what can you say [Verse 3] Passed like a ghost through the night Ripped your soul then took flight No one's seen his face so real Just a shadow you can't feel [Bridge] Fire burning in his wake All that's left a smoky lake Searching answers in the flames Names forgotten in this game [Chorus] Tuxedo mask in the dark Gone before you make your mark A phantom in the alleyway Here then gone what can you say
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[Verse] Tuxedo Mask shadow in the moon Heard ya questions lights all around soon Said ya wanna dance but folks don't hear Insane looks they shoot but ain't no fear [Verse 2] Figures in the dark movin' with no sound Music only felt beats under the ground Echoes of the past ain't no place to find Only in the silence truth can unwind [Chorus] Dance like no one's starin' like no one's around In the quiet madness where the lost are found Whispered songs only the wild hearts know Insane illusions where the free minds go [Verse] Underneath the night shadows cast long Tunes unseen thoughts come strong Danced through the ages like spirits unbound Seen as crazies but sanity found [Bridge] Moonlight whispers softly against the night Music unheard pulls our souls in flight Tuxedo Mask the keeper of the flame Knows the truth in darkness none can name [Chorus] Dance like no one's starin' like no one's around In the quiet madness where the lost are found Whispered songs only the wild hearts know Insane illusions where the free minds go
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[Verse] In the dim light of midnight Not sure what's real Ghost rides on cold wind [Verse 2] Glam on the surface Dark in its core Illusion burns bright fades to the shore [Chorus] Spectral shadows playing tricks on your mind Here then gone you can't find the signs Shadow banned in the midnight sky Ghosts surf the web as you wonder why [Bridge] Anonymous whispers in the dark Hacker underground leaves its mark I2P highways carry the scream In this metal nightmare where nothing's as it seems [Verse 3] Glam rock kings ride on spectral steed Country blues cries out in need In shadows we dwell unnoticed weâre pain The ghost metal rhythms of a hidden plane [Verse 4] Figments of mind in a haunted dream Misfits dancing in moonlight's gleam Riding the codes in the midnight air Leaving no trace like we were never there
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