K15 85 264 1
A self composed Song of our medieval Live-Action-Roleplay Group ... now available for the musicbox! :) Now I've finished ... finally! It's composed for GI20, but here is the K15 version so that I can give the song with little music boxes to my sisters and brothers of the "Blue Blazes". Lyrics: --- verse --- Es zieht ein Blauer Brand Sich durch jedes Land Auf schwarzem Grund die Flamme weht Von tiefstem blutig blau Es ist ein Blauer Brand Für Tapferkeit bekannt Treue, Freundschaft, Disziplin Und für Gerechtigkeit --- refrain --- Heil Dir Segaron Schenk uns Deine Kraft Bekannt sind bald im ganzen Land Dein Ruhm und deine Macht Heil Dir Segaron Bereite uns den Weg In Deinem Namen streiten wir Und niemand widersteht --- verse2 --- Es ist ein Blauer Brand Von Segaron gesandt Aus alter Asche auferstand Nun tobt das Flammenmeer! Es war ein Blauer Brand Als er zuerst entstand Das große Ziel schon klar im Blick Die Ketten werfet ab! --- refrain --- [...] I try to translate ...: --- verse --- a Blue Blaze is moving trough every country The flame blows on a black background Of the deepest bloody blue It is a Blue Blaze Known for bravery Loyalty, friendship, discipline And for justice --- refrain --- Hail Segaron Give us your strength Will soon be known across the country Your fame and your power Hail Segaron Prepare the way for us We fight in your name And no one resists --- vers2 --- It is a Blue Blaze Sent by Segaron Risen from the old ashes Now the sea of flames is raging! It was a Blue Blaze When it first came into being The big goal is already clearly in view Throw off the chains! --- refrain --- [...]
GI20 85 264 1 1
A self composed Song of our medieval Live-Action-Roleplay Group ... now available for the musicbox! :) Now I've finished ... finally! It's composed for GI20, but there will also be a K15 version so that I can give the song with little music boxes to my sisters and brothers of the "Blue Blazes". Lyrics: --- verse --- Es zieht ein Blauer Brand Sich durch jedes Land Auf schwarzem Grund die Flamme weht Von tiefstem blutig blau Es ist ein Blauer Brand Für Tapferkeit bekannt Treue, Freundschaft, Disziplin Und für Gerechtigkeit --- refrain --- Heil Dir Segaron Schenk uns Deine Kraft Bekannt sind bald im ganzen Land Dein Ruhm und deine Macht Heil Dir Segaron Bereite uns den Weg In Deinem Namen streiten wir Und niemand widersteht --- verse2 --- Es ist ein Blauer Brand Von Segaron gesandt Aus alter Asche auferstand Nun tobt das Flammenmeer! Es war ein Blauer Brand Als er zuerst entstand Das große Ziel schon klar im Blick Die Ketten werfet ab! --- refrain --- [...] I try to translate ...: --- verse --- a Blue Blaze is moving trough every country The flame blows on a black background Of the deepest bloody blue It is a Blue Blaze Known for bravery Loyalty, friendship, discipline And for justice --- refrain --- Hail Segaron Give us your strength Will soon be known across the country Your fame and your power Hail Segaron Prepare the way for us We fight in your name And no one resists --- vers2 --- It is a Blue Blaze Sent by Segaron Risen from the old ashes Now the sea of flames is raging! It was a Blue Blaze When it first came into being The big goal is already clearly in view Throw off the chains! --- refrain --- [...]
K15 96 913 4
Copy of "While Your Lips Are Still Red by Nightwish". Optimized until measure 34. Maybe after measure 34 the music doesn't sound nice anymore. Use the half time-distance between the notes for saving your expensive paper and arm muscels while playing the musicbox. Optimizations: 1) Continuous second voice 2) Successive 1/8 notes removed -> substitute tones composed 3) Longer tacet in melody between refrain and verse 4) Fuller sounded, continuous playing verse (Version 2.0) 5) And some others ...
GI20 96 913 4
Copy of "While Your Lips Are Still Red by Nightwish". Optimized until measure 34. Maybe after measure 34 the music doesn't sound nice anymore. Use the half time-distance between the notes for saving your expensive paper and arm muscles while playing the musicbox. Optimizations: 1) Continuous second voice 2) Successive 1/8 notes removed -> substitute tones composed 3) Longer tacet in melody between refrain and verse 4) Continuous second voice in the verse 5) Fuller sounded Refrain (version 2.0) 6) And some others ...
GI20 96 913 4
Copy of "While Your Lips Are Still Red by Nightwish". Optimized until measure 34. Maybe after measure 34 the music doesn't sound nice anymore. Use the half time-distance between the notes for saving your expensive paper and arm muscles while playing the musicbox. Optimizations: 1) Continuous second voice 2) Successive 1/8 notes removed -> substitute tones composed 3) Longer tacet in melody between refrain and verse 4) Continuous second voice in the verse 5) And some others ...
K15 96 913 4
Copy of "While Your Lips Are Still Red by Nightwish". Optimized until measure 34. Maybe after measure 34 the music doesn't sound nice anymore. Use the half time-distance between the notes for saving your expensive paper and arm muscels while playing the musicbox. Optimizations: 1) Continuous second voice 2) Successive 1/8 notes removed -> substitute tones composed 3) Longer tacet in melody between refrain and verse 4) And some others ...
GI20 120 439
I edited a copy of the "Skyrim theme", which is a mix of Skyrim Theme and Morrowind Theme. I startet with editing from measure 33. I would recommend starting at measure 33 (with an upbeat), because nobody wants to hear the boring beginning ;-). 1) The end is shortened and with an arpeggio on the final chord. 2) Removed duplicate tones one after the other so the holes can be punched halfway apart what saves your paper stripes. 3) Wrong note (substitute for halftone) removed and "re-composed". 4) further optimizations ...
K15 120 439
I edited a copy of the "Skyrim Theme", which is a mix of Skyrim Theme and Morrowind Theme. I startet with editing from measure 33. I would recommend starting at measure 33 (with an upbeat), if you would like to play the Morrowind (/Oblivion) Theme. Optimizations (from 33 until end): 1) The end is shortened and with an arpeggio on the final chord. 2) Removed duplicate tones one after the other so the holes can be punched halfway apart what saves your paper stripes. 3) Wrong note (substitute for halftone) removed and "re-composed". 4) further optimizations ...
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